Tuesday, May 8, 2012

Nelly Furtado's "Big Hoops" Video: Native dancers represent!

Nelly Furtado's "Big Hoops" Video: Native dancers represent!

(pic from Nelly's Twitter)
Do you know how rare and exciting this moment is? A mainstream music artist used Native influences in her music video, and I HAVE NOTHING NEGATIVE TO SAY!!!! Yesterday Nelly Furtado debuted her new music video for Big Hoops (The Bigger the Better), featuring the awesome hoop dancing of Tony and Kevin Duncan (Mandan/Hidatsa/Arikara/San Carlos Apache) and the fancy shawl stylings of Violet Duncan (Cree/Taino).
Basically, this is going to go down in history as my example of how to incorporate Natives without crossing the line into cultural appropriation. So check out the video below, and we'll talk more after you get a chance to see how great it is:




(Vevo is mean about embedding, so you might have to go watch it on the youtubes, los siento)

What I like about the video is that Nelly just let the Duncans do their thing and show off what amazing dancers they are without having to fit into some overly constructed storyline. Chatting with some twitter friends last night, we remarked that it was also notable that Nelly didn't feel the need to "go Native" like say, Ke$ha, with her styling for the shoot.

You know how I enjoy things that converge tradition and modernity, so this is right up my alley. So far the video has 42,000 views on YouTube, so 42,000 people have seen Native folks representing themselves, showing off their skillz, not painted up with a bird on their head. These are the kind of representations I'd like to see on a more regular basis. 


Even better, Nelly introduced Tony, Violet, and Kevin in her "behind the scenes" clip in April--further solidifying that they weren't just backdrops for her song, they were co-collaborators. She notes that she "has the privilege" to work with them, and hammers home that they are "world champions." She also let them introduce themselves and talk a little bit more about what their dancing represents:



Pretty cool, right? Nelly is Canadian, and all of this reminded me of the Vancouver Olympics opening ceremonies, where she performed. I covered it back in the early days of my blog (when I first learned how to screen shot!), but here she is singing with all the First Nations dancers surrounding her:


And during the song they did "spotlight dances" on hoop dancers, fancy dancers, etc:



So clearly she's no stranger to appreciating the awesomeness of Native dancers.

Finally, an "inside source" (love how everyone is related in Indian Country--my colleague is their cousin) told me that the Duncans will be performing with Nelly at the Billboard Music Awards May 20th, along with several other hoop dancers (7 total). Yay!

So guys, for all of you that email me all the time and say that I must have such a sad and miserable existence finding fault in absolutely everything, let it be known: Adrienne K. likes this video, and has nothing negative to say about it!! Apparently I am human, not a society-hating-automaton programmed to spit out criticism. ha.


(Thanks Jessica, Sarah, Frances, Jason, and everyone else who sent it over!)

YouTube: Big Hoops (the Bigger the Better)
YouTube: Behind the scenes of Big Hoops, Chapter 1
Yellowbird Dancers (The Duncan's Dance group)

Earlier:
Vancouver Olympics Opening Ceremonies: Honoring Canadian First Nations?
Not Again, Ke$ha


PS- It's the end of the semester for me, which = grading and busy times galore. I have a lot I want to write about in regards to Elizabeth Warren, more on Tonto, and all the ugly hate I've been getting in the last two weeks, but it'll have to wait. Hope you can forgive me! Much Love!

Tuesday, May 1, 2012

Solo at Stanford

Dear Friends

I will be preforming "SOLO No. 5" at Stanford as a part of the Bay Area Dance Exchange, coming this May 5th.

It is sure to be a blast!!!

MFA THESIS GROUP WORK

HELLO ALL, 

This is my MFA Thesis Group work at Mills College. Please watch it, and give me any comments or feedback. If you got to see this work live! Luck you! I don't believe it works so well on camera... Oh well, that's life.... 

Below is the Program information: 



Title: The Preservation of Time {Black. Yellow.}
Choreography: Cuauhtemoc Peranda.
Music: "But it's this, right?" composed by Nick Wang. "Angel On My Shoulder" recorded by Kaskade.
Lighting Design: Thea Anderson.
Décor and Art Installation: Kate Humphery.
Costuming: Cuauhtemoc Peranda & Kalena Masching
Dancers: Prudence Amsden, Deanna Bangs, Adrianne Cherry, Tarin Griggs, Kim Ip, Ashley Mason, Katherine McGinity, Cuauhtemoc Peranda, & Judene Small.

Choreographer's Notes:

"Go, go, go, said the bird: human kind, Cannot bear very much reality. Time past and time future, What might have been and what has been, Point to one end, which is always present." --T.S. Eliot


Friday, April 13, 2012

The Story of my Heart

When I look to the sky

There is no moon

Only stars.



The moon’s gravity,

It is my heart

Onto my stomach,



It aches and turns,

Tides of the sea

Leaving empty pool of thought and tears,



What is left

Across the sands of time

And the voice of space

Is my memory of emotion.



Today the sunlight is rare.

A warm smell of light and rain:

Thunder,

Lightning strikes us together forever.



A split then did occur,

To my heart:

When you left.



Sweet Mocha;

Sweet honey;

Romance by the library, by flowers, at dusk.



The lightning bugs, which never existed here,

Come to life, to our kiss,

Contact:

With our dreams:



It was then

My heart was split into five

The moon broken.



Nothing but erratic love now.

Pours onto all with its sugar and grace:







Broken.



I love you.





The five of you,



Now who hold the shards of the moon.



.No more is there a cow jumping

A bed time story to put him the sleep

The little boy is alone

Stomach is in craze

The sun, unable to burn.



Insanity.



Until the moon’s own gravity can come together the shards once lost,



This is the…..

This.



Love…..



In an empty sky.

Thursday, April 12, 2012

New Award for the Choreographer

E.L. Wiegand Foundation Award – Departmental Excellence

This award is given for overall departmental excellence.

Cuauhtémoc Peranda

April 23rd, 2012
Mills College

Tuesday, April 10, 2012

MITOTE

Applying an Indigenous perspective to conventional ‘western’ scholarship, this paper proposes a dance praxis entitled Mitote, which seeks to produce an Indigenous dance process of decolonization for Indigenous liberation and empowerment. This document serves as a starting point for the evolution of contemporary Indigenous dance work that respects Indigenous land and protocols of cultural production, yet is innovative, avant-garde, and modern. Under the premise that modern dance is intimately related to traditional Indigenous dance, this project proposes a process for the decolonization of contemporary modern dance. Ultimately, it provides a means to lift the ideology of “the Natives as the static past” and place them into the present and innovative future. Held as a living, growing, and developing research document cataloguing this author’s own artistic process, this paper is only a short beginning of a life’s work, practice, research, and creation.



MITOTE: A Manifesto for Avant-Garde Dance Written In Indigenous Knowledge

Sunday, April 8, 2012

Golden Girls Brought to the now!

Dear All,

You may not know it, but the Golden Girls are a huge inspiration to me. It is a show about Cheesecake, Sex, Self-Confidence, Fun, Comedy, and FRIENDSHIP!!!
It really is true, generous fierceness!

And now, there is this Rap that makes it all more real, and all the more current!

Thank You A-1 for this masterpiece!